The Sun And Her Stars: Salka Viertel and Hitler's Exiles in the Golden Age of Hollywood

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The Sun And Her Stars: Salka Viertel and Hitler's Exiles in the Golden Age of Hollywood

The Sun And Her Stars: Salka Viertel and Hitler's Exiles in the Golden Age of Hollywood

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Salka Viertel is an all but forgotten figure from Hollywood’s golden era, often portrayed as little more than a screenplay consultant to Greta Garbo. is especially noteworthy, as is her examination of Viennese modernism, Berthold Viertel: Eine Biografie der Wiener Moderne . If you’ve already done that, your item hasn’t arrived, or it’s not as described, you can report that to Etsy by opening a case. She rubbed elbows with the famous and not-so-famous, and it didn’t matter, Salka Viertel would find a way to connect with anybody.

The émigrés from Germany and Austria included Thomas Mann, Billy Wilder, Max Reinhardt, Bruno Walter, Berthold Brecht, S.

Or the title of this review, which Rifkind uses to describe Viertel's last view of Berlin when she left: "Beware, o wanderer, the road is walking too," from a poem by Rilke, another Viertel acquaintance. Or that it was Marta Feuchtwanger who planned and implemented the escape of her novelist husband Lion Feuchtwanger from the concentration camp at Les Milles in southern France at the end of the summer of 1940.

His book reviews and author interviews have appeared in The Advocate, EdgeMedia, and the Philadelphia Inquirer.Many newcomers who sought employment in the burgeoning film industry had a limited command of English, were uncomfortable with the social informality of southern California, and felt alienated and humiliated by their loss of cultural prominence in Europe.

Bilski and Emily Braun’s essay about Salka Viertel, “The Salon in Exile,” from Jewish Women and Their Salons: The Power of Conversation have all begun to fill in the blanks. In Santa Monica, she made it her mission to provide a refuge for them in her own home and to absorb them into her social and professional network, all to help them survive in a wholly unfamiliar new world. Rifkind cites California historian Kevin Starr, who estimates that 10,000 from Germany and Austria left their homelands for Los Angeles between 1933 and 1941, “the most complete migration of artists and intellectuals in European history.

In the documentation about the antifascist intellectuals who fled from Hitler’s Germany, I found a similar absence.



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